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I am more at ease with simplified kitchen methods and common sense with a simple method that I can repeat easily from my notes. A good dye to start with is MX-fiber reactive dye for cotton (and other cellulose-type fibers). This method involves soaking small skeins of yarn in a dye activator, dyeing with small amounts of dye in clear plastic drinking cups, and placing the skeins in plastic sandwich bags to set the dye. 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As pattern weft, it constricts to intersect the ground fabric and then flares out to provide coverage for floats. Bias doesn't ravel but forms short fringes on each side of the strip. As pattern weft in monk's belt fabrics, bias cloth strips can look like chenille after the fabric is washed. Several projects woven in monk's belt show the effects of sizing up both pattern and background yarns to make heavier fabrics. 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Woven laces repeat these floats to cluster yarns into a group that separates itself from neighboring groups.\u003c\/p\u003e\n\u003cp\u003eProjects include textured face cloths, towels, and placemats.\u003c\/p\u003e\n\u003cp\u003eAlso included: \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaking a notebook for yarn setts and sizes\u003c\/li\u003e\n\u003cli\u003eWeaving to measure with paper tape\u003c\/li\u003e\n\u003cli\u003eWeaving and sewing hems\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399299309700,"sku":"55943000","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/files\/plain-tabby-press-magazines-weaver-s-craft-issue-3-from-canvas-weave-to-huck-and-swedish-lace-34934952525956.jpg?v=1735570088"},{"product_id":"weavers-craft-issue-17-twill-and-basket-weave-combined","title":"Weaver's Craft Issue 17: Twill and Basket Weave Combined","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn the world of four-shaft weave structures, 2\/2 twill and 2\/2 basket weave are an admirable match because their float lengths are the same. They contrast beautifully whether in the warp or weft. The linear grid of basket weave sets off the diagonal movement of twill and its variations. 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We look at simple four-shaft point twills treadled two shafts up and two shafts down. 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An easy hand-manipulated technique, Danish medallion introduces graceful ovals with an embroidery-like clasp of groups of already woven rows. Learn the process of weaving Danish medallion with ovals as well as variations. Then try designing a few accent rows or scattered accents for plain-weave projects, such as guest towels. 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The four-shaft loom you've been using to weave single-layer fabrics suddenly produces two layers of cloth, each of them in plain weave. Double weave pick-up exchanges the two layers in areas you control with a pick-up stick as you weave. Learn two easy step-by-step methods for working graphed designs in double weave pick-up. 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The threading drafts often have sections that look like M's or W's. Easy to design, thread, and treadle, M's and W's twillls are fast to weave with one color in the warp and a contrasting color in the weft. Use the many treadlings shown or learn to design your own variations. Put on a long warp and weave each piece with a different weft color. Named after mountains in Oregon, projects woven with 8\/2 unmercerized cotton include Black Butte Twill Towels, Broken Top Twill Towels, and Three Sisters Twill Towels. M's and W's twills are also perfect for scarves, such as the Bamboo Scarf project.\u003c\/p\u003e\n\u003cp\u003eAlso included: \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptimizing Floating Selvedges for Twills\u003c\/li\u003e\n\u003cli\u003eCentering Point Twill Repeats\u003c\/li\u003e\n\u003cli\u003eDesigning Easy Twill Treadlings\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399300620420,"sku":"55941070","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/files\/plain-tabby-press-magazines-weaver-s-craft-issue-22-twill-m-s-and-w-s-32675638247556.jpg?v=1774117808"},{"product_id":"weavers-craft-issue-19-log-cabin-and-where-it-leads","title":"Weaver's Craft Issue 19: Log Cabin and Where It Leads","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLog cabin is a color-and-weave effect in plain weave with rectangular areas of horizontal or vertical lines. Ripsmatta or warp rep is a variation that crowds the warp ends closely together. The color interaction is enhanced by weaving one row with a very heavy weft and the next with a very fine weft. Shadow weave alternates dark and light yarns in a weave structure more elaborate than plain weave. Projects include Spring Showers Baby Blanket in plain-weave log cabin with space-dyed and solid-color yarns alternating, Bamboo Shoots Rep Placemats with a heavy string yarn weft, Chenille Scarf and White Scarf in an easy-to-treadle shadow weave, and Crocus in Snow Towels and Grape Harvest Runner in shadow weave.\u003c\/p\u003e\n\u003cp\u003eAlso included:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe easy way to interlock two alternating wefts at the edges of plain weave\u003c\/li\u003e\n\u003cli\u003eTips for Keeping Your Place in Shadow Weave Treadlings\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399300784260,"sku":"55941060","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/products\/plain-tabby-press-magazines-weaver-s-craft-issue-19-log-cabin-and-where-it-leads-32621072351364.webp?v=1774117807"},{"product_id":"weavers-craft-issue-23-barleycorn","title":"Weaver's Craft Issue 23: Barleycorn","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you call it Barleycorn (\u003cem\u003eGerstenkorn\u003c\/em\u003e in German), spot weave (\u003cem\u003edroppdräll\u003c\/em\u003e in Swedish), Spot Bronson, or diaper (J. and R. Bronson's original designation), this float weave is simple to thread and weave, and it has many variations. The reversibility of the fabric and the ease of design, threading, and treadling make this weave structure very versatile. Traditionally, barleycorn was used for linen textiles, but it is wonderful for scarves, throws, and blankets as well. Projects include Yellow Barleycorn Mats or Towels with a diamond pattern, Green Barleycorn Mats or Towels with ovals, Blue Barleycorn Mats or Towels with circles and lacy blocks, and Wool Barleycorn Throw with the same pattern as the blue mats or towels, and an unusual Two-Color Barleycorn Scarf.\u003c\/p\u003e\n\u003cp\u003eAlso included: \u003cbr\u003eSpecial Selvedges for Barleycorn \u003cbr\u003eArticle on Substituting Yarns\u003c\/p\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399300980868,"sku":"55942070","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/products\/plain-tabby-press-magazines-weaver-s-craft-issue-23-barleycorn-32621096272004.webp?v=1774117807"},{"product_id":"weavers-craft-issue-24-mock-satin-damask","title":"Weaver's Craft Issue 24: Mock Satin Damask","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDo you remember the tablecloth on your mother's or grandmother's holiday dining table? It was probably white with fleur-de-lis patterning or curvilinear floral motifs that showed only in the right light. That's damask. Today's damask, however, is often woven with contrasting warp and weft colors to show the design better. Damask textiles have both warp- and weft-faced areas, pattern against background. The simplest damask structure is 1\/3 and 3\/1 broken twill, also called mock satin. On the same threading, the structure may also be woven as warp- and weft-faced twill. On a four-shaft loom, mock satin damask designs are easily woven with a pick-up technique, shown in two versions, one slightly faster than the other. Projects include small squares with a variety of snowflake designs and a tree design.\u003c\/p\u003e\n\u003cp\u003eAlso included:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDamask Scarf on 8 shafts that needs no pick-up\u003c\/li\u003e\n\u003cli\u003eArticle on How to Be a Helper\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399301111940,"sku":"55941080","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/products\/plain-tabby-press-magazines-weaver-s-craft-issue-24-mock-satin-damask-32621087555716.webp?v=1774117746"},{"product_id":"weavers-craft-issue-25-how-to-weave-a-rug","title":"Weaver's Craft Issue 25: How to Weave a Rug","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cem\u003e\u003cbr\u003e\u003cbr\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen asked what is woven on a handloom, many people would say rugs. Rug weaving requires a heavy loom, perhaps heavier than the loom you have. However, you can strengthen a regular floor loom to weave a rug or you can weave rug-like projects on smaller looms. Learn how to choose warp and weft for rug weaving. Projects include the fluffy Rainbow Bright Rug woven in Peter Collingwood's double corduroy technique with strips of fleece, Simple Rag Rugs from recycled cotton fabrics, and Swedish Block Weave Placemats woven with cloth strips. Instructions include tips for using a rotary cutter to make strips.\u003c\/p\u003e\n\u003cp\u003eAlso included:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArticle on shuttles for rug weaving\u003c\/li\u003e\n\u003cli\u003eArticle on rug tools\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Plain Tabby Press","offers":[{"title":"Default Title","offer_id":41399301341316,"sku":"55942080","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/products\/plain-tabby-press-magazines-weaver-s-craft-issue-25-how-to-weave-a-rug-32621073891460.webp?v=1774117747"},{"product_id":"weavers-craft-issue-26-how-to-turn-a-draft","title":"Weaver's Craft Issue 26: How to Turn a Draft","description":"\u003cp\u003eEach issue provides in-depth information on a weaving-related topic, as well as several projects.\u003cem\u003e\u003cbr\u003e\u003cbr\u003eFrom the publisher's website:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTurning a draft sounds easy and straightforward, but between understanding and success you may find a few surprises. In the turned version the old treadling becomes the new threading and the old threading becomes the new treadling. The weft pattern floats change to warp pattern floats. Learn about the pros and cons of turned drafts, when to use a supplementary warp, and how to deal with threads sharing dents. 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Upon close examination, the face of a swivel fabric shows weft dots that change colors in a pattern. 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Treadling waffle weave makes rectangular cells with long vertical and horizontal floats outlining recessed valleys. 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Themed “Animal, Vegetable, and Mineral,” this issue is chock full of projects inspired by the wonders of nature—all woven using rigid-heddle looms, pin looms, or tablet weaving. In these pages, you’ll find scarves and shawls galore, kitchen linens, and even a sweet little bento-style bag. You’ll be amazed by Peg MacMorris’s elegant Sea Slug Silken Splendor Scarf (yes, that’s right—sea slug), Jodi Ybarra’s colorful Tarahumara Corn Towels inspired by a particularly bright species of flint corn, and Greta Holmstrom’s fabulous Mount Wilson Shawl, which pays homage to the striped mountain located in Red Rock Canyon. There are also articles that explore the nature of weaving—Bobbie Irwin writes about iridescence and how one can achieve it on a rigid-heddle loom, while Robin Lynde explores the design possibilities of clasped-warp weaving. You’ll also find tips on using different types of multi-colored yarns, step-by-step illustrations for different hand-manipulation techniques, and tips on wet-finishing everyday and extra-special fabrics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eWet-Finishing Without Worry by Christina Garton\u003c\/li\u003e\n\u003cli\u003eIridescence in Weaving by Bobbie Irwin\u003c\/li\u003e\n\u003cli\u003eBeauty in Soil by Christina Garton\u003c\/li\u003e\n\u003cli\u003eClasped-Warp Weaving by Robin Lynde\u003c\/li\u003e\n\u003c\/ul\u003e\nProjects:\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eButterfly Wings Scarf by Sara Goldenberg White (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eLadybug Picnic Placemats by Anu Bhatia (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eThe Bandit by Deborah Bagley (Pin Loom)\u003c\/li\u003e\n\u003cli\u003ePlumage Scarf by Angela Tong (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eShark Mittens by Margaret Stump (Pin Loom)\u003c\/li\u003e\n\u003cli\u003eSnowy Owl Runner by Jenny Sennott (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eGreen Pastures Scarf by Robin Lynde (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eSea Slug Silken Splendor Scarf by Peg MacMorris (Rigid Heddle)\u003c\/li\u003e\n\u003cli\u003eThe Lettuce Wrap by Sara C. 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In this issue you’ll find projects with all kinds of tempting textures that other weavers won’t be able to leave alone. Among the 21 projects featured in the issue, you’ll find tea towels woven with bouclé cotton, a colorful scarf with differential shrinkage, puffy embellished pin-loom and rigid-heddle pillows, and a traditional Icelandic wall hanging woven using unspun wool locks. If you’re looking to add some texture to a project you’ve already woven, you’ll also find an article on visible mending where you’ll learn how to use a darning loom.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eString Theory: Identifying the Fiber Content of Mystery Yarns by Deanna Deeds\u003c\/li\u003e\n\u003cli\u003eTapestry Talk: Finishing and Presenting Your Work by Tommye Scanlin\u003c\/li\u003e\n\u003cli\u003eMending the Visible (and Invisible) by Emily Hartford\u003c\/li\u003e\n\u003cli\u003eWeaving with Two Heddles by Sienna Bosch\u003c\/li\u003e\n\u003cli\u003eYarn Blank Basics by Greta Holmstrom\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProjects:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAerial Scarf by Yvonne Ellsworth (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eVarafeldur Wall Hanging by Rebecca Cengiz-Robbs (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eCounting Sheep Pillow by Deborah Bagley (pin loom)\u003c\/li\u003e\n\u003cli\u003eOtter mittens and Fingerless Gloves by Margaret Stump (pin loom)\u003c\/li\u003e\n\u003cli\u003eSpring Showers Tea Towels by Tammy Bast (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eYou Are Here Pillows by Jessica Lambert (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eMadeira Spring Scarf by Anu Bhatia (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eCozy Critters Cusions by Carol Dowell (pin loom)\u003c\/li\u003e\n\u003cli\u003eFluffy Handwarmer by Jennifer Chapman (pin loom)\u003c\/li\u003e\n\u003cli\u003eLilac, Lavender, and Linen by Malynda Allen (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eFeathered Poncho by Greta Holmstrom (pin loom)\u003c\/li\u003e\n\u003cli\u003eGarden party Purse by Angela K. Schneider (rigid heddle)\u003c\/li\u003e\n\u003cli\u003ePoetry in Motion by Eloise DeHaan (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eHoney and Lemon Lace by Nancy Peck (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eSunset View Scarf by Constance Hall (rigid heddle)\u003c\/li\u003e\n\u003cli\u003ePortland Spring by Laia Robichaux (inkle)\u003c\/li\u003e\n\u003cli\u003eDouble Crisp Linens by Christine Jablonski (rigid heddle)\u003c\/li\u003e\n\u003cli\u003eRing-Bearer Bow Tie by Jennifer B. Williams (inkle)\u003c\/li\u003e\n\u003cli\u003eHappy-Style Coat by Gabi van Tassell (pin loom)\u003c\/li\u003e\n\u003cli\u003eEvening Reflections by Peg MacMorris (rigid heddle)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Long Thread Media","offers":[{"title":"Default Title","offer_id":41436871360644,"sku":"55921231","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/files\/long-thread-media-magazines-easy-weaving-with-little-looms-spring-2023-35230987616388.jpg?v=1735259594"},{"product_id":"easy-weaving-with-little-looms-summer-2023-magazine","title":"Easy Weaving with Little Looms - Summer 2023","description":"\u003cp\u003eCooking and weaving have much in common. Both use recipes with a list of “ingredients” and amounts, create something often more than the sum of its parts, and bring joy to the maker and recipient. In this issue, you’ll find projects that celebrate the intersection of food and weaving, including ice cream inspired rigid-heddle woven napkins, raffia coasters with matching snack mat, a sweet scarf designed to look like candy buttons, a zesty lemon kitchen pin-loom towel, a clever inkle coin purse perfect for the farmer’s market, and much more. We’re also going back to a childhood favorite with a section devoted to potholder looms. As it turns out, these simple looms are capable of weaving complex cloth!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLearn the basics of tablet weaving from John Mullarkey, including how to thread cards, warp your loom, read a draft, and weave basic design. Join Christine Jablonski as she explains the mathematical concepts behind the Fibonacci sequence, the Cantor set, and Pascal’s triangle and how they apply to weaving. Go on a hike with tapestry weaver extraordinaire Rebecca Mezoff as she writes about her method of weaving sketch tapestries to capture a moment in time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eString Theory: Math by Another Name is . . . a Design Tool! 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Chris Alexander revisits his time running a carpet workshop in Uzbekistan with journeys into Afghanistan to buy natural dyes. Continuing with colour, Theo Wright looks at the interaction of complex patterns and colour; and Stacey Harvey-Brown explores colour- and-weave and shadow weave – from simple but effective to complex. For spinners, tackling a big project can be daunting; Sonya Hammond describes turning several kilos of wool into a big blanket by planning, sampling, then taking it step by step. We have a brief tribute to linen weaver Alison Morton who died this year, and in the first of an occasional series on textile collections, mills and museums, Carol Christiansen explores textiles in the Shetland Museum.\"\u003c\/p\u003e","brand":"The Journal For Weavers, Spinners and Dyers","offers":[{"title":"Default Title","offer_id":41436874735748,"sku":"55940421","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/files\/the-journal-for-weavers-spinners-and-dyers-magazines-the-journal-for-weavers-spinners-and-dyers-uk-issue-280-winter-2021-35231591301252.jpg?v=1735092541"},{"product_id":"the-journal-for-weavers-spinners-and-dyers-uk-issue-283-autumn-2022-magazine","title":"The Journal For Weavers, Spinners and Dyers - UK - Issue 283, Autumn 2022","description":"\u003cp\u003eThere just wasn’t room in the last issue to squeeze in all the articles about linen, so in this issue we have Catherine O’Hara’s examination of the Old Bleach Linen Company’s attempt to counter the decline in the industry through innovation. Ultimately unsuccessful, the company tried to counteract changes in consumer preference for ‘new’ textiles and the impact of globalisation. In Japan the designation of Important Intangible Cultural Property highlights vulnerable crafts, such as shifu, paper textiles. Complex techniques that were formerly widespread now rely on a handful of specialists to maintain skills. Eleanor Burkett has been fascinated by shifu for many years and introduces us to the techniques. \u003c\/p\u003e\n\n\u003cp\u003eThere are two articles about traditional handweaving in India, the production of Jamalkalam rugs in southern India and the handwoven cloth tradition which falls within the broad term khadi. Undermined by British industrialisation in the nineteenth century, handweaving was once a mainstay of rural economies and handspun, handwoven cloth became symbolic of Independence. \u003c\/p\u003e\n\n\u003cp\u003eFor dyers there is a novel suggestion – use hair dyes! Easy to obtain and, as Jan Richardson shows, capable of producing exciting results. And who could resist Heather Galindo’s popsicle swatches? Behind the colourful results is a meticulous process of generating a reference set, a reminder that consistent results rely on a rigorously systematic approach which saves time and effort when dyeing for projects. \u003c\/p\u003e\n\n\u003cp\u003eAs part of the celebration of seventy years of the Journal, Carolyn Griffiths researched some of the companies advertising in early issues. Also on a historic theme, Jill Riley visited the Warner Textile Archive and gives us a glimpse of the riches that it holds. Worth a visit if you are in the area. \u003c\/p\u003e\n\n\u003cp\u003eFinally, we include Jennie Parry’s appreciation of Hilary Turner, past Chair of the Journal Committee, Association Chair and a major contributor to the Association and its events over many years. \u003c\/p\u003e\n\n\u003cp\u003eHilary Miller, Chair, Journal Editorial Committee\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eContents\u003c\/p\u003e\n\n\u003cp\u003eShiroishi Shifu: An Important Intangible Cultural Property \/ Eleanor Burkett -- Dyeing Experiments Using Hair Dyes \/ Jan Richardson -- Two Hundred and Eighty-Three Journals \/ Carolyn Griffiths -- The Old Bleach Linen Company’s Technical Innovations and Creative Responses in Ulster’s Interwar Linen Industry \/ Dr Catherine O'Hara -- Jamakalam Rug Weaving in India \/ B. Poongodi and G. Ramakrishnan -- Stick Spinning Exploration, Jinty Knowling Lentier -- Khadi: The Weaving Tradition and Movement of Indian Village Craft \/ Subhankar Sengupta -- The Spindle: A Practical Project \/ Chloé Thiriet -- Remembering Hilary Turner \/ Jennie Parry -- Popsicle Swatches: A Conversation Between Heather Galindo, Dyer, and Linda More -- Warner \u0026amp; Sons and The Warner Textile Archive \/ Jill Riley.\u003c\/p\u003e","brand":"The Journal For Weavers, Spinners and Dyers","offers":[{"title":"Default Title","offer_id":41436874801284,"sku":"55940322","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/4625\/2932\/files\/the-journal-for-weavers-spinners-and-dyers-magazines-the-journal-for-weavers-spinners-and-dyers-uk-issue-283-autumn-2022-35231567413380.jpg?v=1735093447"}],"url":"https:\/\/www.halcyonyarn.com\/collections\/all-weaving.oembed?page=13","provider":"Halcyon Yarn","version":"1.0","type":"link"}